The Conquest of Plassans Ernest Alfred Vizetelly Émile Zola 9781296553616 Books
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The Conquest of Plassans Ernest Alfred Vizetelly Émile Zola 9781296553616 Books
Another Zola masterpiece. The hypocrisy of the clergy, social status, vicious gossip and the descent into madness and its consequences are just a few of the themes that drive this tale of human frailty and ambition. This story could be considered the sequel to The Fortune of the Rougons, the first of the Rougon-Macquart cycle, although it was sixth in Zola’s recommended reading order.Marthe Rougon, the youngest sibling of the Rougons, and her husband, Francois Mouret—first cousin to Marthe and part of the illegitimate Macquart family tree—are a prosperous couple in the mythical Provence town of Plassans. They rent a room to an enigmatic, mysterious priest, Abbé Faujas, who has left his previous station under unclear circumstances, and his mother. Francois suggests that his wife lead an effort to start a home for young girls. This begins a sequence of events that forever changes the town of Plassans, it’s social elite and the Rougon and Mouret familes.
Zola’s writing, an intricate late 19th century social commentary, reminds me, in many ways, of Sinclair Lewis’s observations about early 20th century America. In other words, he comments on the great issues of his time that reverberate timelessly. And he always knows how to construct a dramatic, astonishing conclusion.
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The Conquest of Plassans Ernest Alfred Vizetelly Émile Zola 9781296553616 Books Reviews
A devil of a man he asks nothing, and you tell him everything.
Imagine you are the father of three teenage kids, one of whom is `innocent', i.e. mentally handicapped. You live with the family in a large house with a nice garden in Southern France. You have earned money as a trader in the past and are now semi - retired. Though you are not religious, you let the local priest talk you into letting the upper level of your house to a new priest, one who moves here from near Paris. The lodger turns up with his mother and moves in stealthily. They are frugal people and nobody knows anything about them. In the course of events you watch the lodger make a church career and a political one and you watch him take over the mind of your wife, who turns religious, while you, the father of the family and owner of the house, are moved out of the way in the most systematic way the priest and his entourage establish themselves in the house like a cancer grows in a body. That drives you crazy as it would almost anybody. (The process of driving M. Mouret to insanity is worthy of absurd theatre at its best. Did Ionesco know Zola well? I wouldn't be surprised! I need to follow this up.)
This is volume 4 of the Rougon-Macquart series, in terms of publishing chronology. In a way it is a direct sequel to volume 1 it continues the tale how the elder Rougon couple consolidates wealth and influence in provincial Plassans (which stands for Aix en Provence). Central character is the ambitious priest, patronized by the Rougon couple upon recommendation by their high-flying son in Paris (His Excellency). The priest gains political influence in the town as well as personal power over a Rougon daughter. The book is, in Zola's own words, about wolves and rats. The main political subject of the whole series of 20 is the corruption and moral decay of the second empire of Napoleon III. On a personal level, Zola investigates `appetites', like ambitions or greed.
Two key themes of this sequel are worldly ambitions of churchmen and the inheritance of mental insanity. We remember from volume 1, that the mother of Rougon and Macquart was institutionalized. She stays in an asylum until old age. In this volume, one of her grandsons is taken to the same institution. Her great-granddaughter is the `innocent' teenager.
The priest, our bad guy, is one of those sly ones who watch and wait before they make their moves. He is a true relative in spirit of Felicity Rougon, the dynasty matriarch always watching, if necessary hiding behind a curtain. There is a lot of spying going on here, through key holes and in more sophisticated manners.
Zola was a writer who liked to surprise. After the heavy doses of naturalism in the previous sequel, The Belly of Paris, here we are given a psychological thriller which stays away from theoretical treatises and from his penchant for word orgies. (Read his market inventories in the Belly if you want to know what I mean. Or read the garden descriptions in La Curee.) The political games are played among three parties the Rougon are on the side of the Bonapartistes, who have to fight for keeping their power against Republicans as well as Legitimists, i.e. supporters of the Bourbons dynasty.
This book has been called by some the best of the whole series. I must suspend my opinion on that until after volume 20.
Wish I could give it negative stars!!!!! This book has misspellings and grammatical errors on just about every single page. It was
a nightmare wading through this book which was clearly not edited at all or even proofread!!!! I am pretty sure it was produced by a bunch of fourth graders. Disgusting and unprofessional! I am appalled that someone would have the gall to charge for this copy!
Poor Zola! To be treated so disrespectfully!
Slow moving in some spots with some pretty obvious telegraphing of the 'punchline', this book nevertheless provides an interesting look at both the church and small-town politics. The latter point would hardly be out of place in the 21st century, showing how things haven't really changed well. The main character Abbe Faujas is interestingly one-dimensional, probably a reaction by Zola against the Ultramontaine-ism of the conservatives. But as a tool used to pry open the hypocritical lives of others in the political sphere, he is useful.
Of the Rougons-Marcquart novels, I think of this as somewhat middling. But it is helpful to read in context and worthwhile in understanding the overall cycle designed by Zola.
Another Zola masterpiece. The hypocrisy of the clergy, social status, vicious gossip and the descent into madness and its consequences are just a few of the themes that drive this tale of human frailty and ambition. This story could be considered the sequel to The Fortune of the Rougons, the first of the Rougon-Macquart cycle, although it was sixth in Zola’s recommended reading order.
Marthe Rougon, the youngest sibling of the Rougons, and her husband, Francois Mouret—first cousin to Marthe and part of the illegitimate Macquart family tree—are a prosperous couple in the mythical Provence town of Plassans. They rent a room to an enigmatic, mysterious priest, Abbé Faujas, who has left his previous station under unclear circumstances, and his mother. Francois suggests that his wife lead an effort to start a home for young girls. This begins a sequence of events that forever changes the town of Plassans, it’s social elite and the Rougon and Mouret familes.
Zola’s writing, an intricate late 19th century social commentary, reminds me, in many ways, of Sinclair Lewis’s observations about early 20th century America. In other words, he comments on the great issues of his time that reverberate timelessly. And he always knows how to construct a dramatic, astonishing conclusion.
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